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Rob And she uses the word signifies, which means giving the meaning of something. The sari obviously has an emotional attachment for her.  

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Also, when driving, white people love putting their turn signal on about a half mile before the turn.

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Gabby came out purple and limp. Doctors stabilised her in the neonatal intensive care unit and then began a battery of tests. Within days the Williamses knew their new baby had lost the genetic lottery. Her brain s frontal lobe was smooth, lacking the folds and grooves that allow neurons to pack in tightly. Her optic nerve, which runs between the eyes and the brain, was atrophied, which would probably leave her blind. She had two heart defects. Her tiny fists couldn t be pried open. She had a cleft palate and an abnormal swallowing reflex, which meant she had to be fed through a tube in her nose. They started trying to prepare us that she probably wouldn t come home with us, John says. Their family priest came by to baptise her.

My electric bill is $480 every 90 days. Yes, using the dryer is expensive so we don t use it much. We use it for the sock/jocks and big towls, everything else is line-dried inside. (Clothes-munching dog outside.)  

We live in a richer world. But the gap between rich and poor is still very wide in individual countries. How to change this? Listen to Rob and Harry’s discussion, and learn some related vocabulary. sexy girls

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Published as a postcard circa 1910, this sandalled strongman leaves nothing to chance in protecting his modesty, and wears a large paper leaf, thoroughly secured with plenty of string!

Published as a postcard circa 1910, this sandalled strongman leaves nothing to chance in protecting his modesty, and wears a large paper leaf, thoroughly secured with plenty of string!

The magnificent Eugen Sandow, photographed here in 1894 by George Steckel, his physique looking every bit as impressive to a modern eye as it would have to his contemporaries.

The magnificent Eugen Sandow, photographed here in 1894 by George Steckel, his physique looking every bit as impressive to a modern eye as it would have to his contemporaries.

The printed inscription on this magnificent man’s photograph looked familiar, on investigation I found I have another from the same photographer, one K. Pospishil of Bohemia.

The printed inscription on this magnificent man’s photograph looked familiar, on investigation I found I have another from the same photographer, one K. Pospishil of Bohemia.

The impressively muscular Otto Olympier, his picture taken by an uncredited photographer and published as a postcard. Not intended to be sent home from a holiday as we mostly use them today, but for those who collected the cards as a hobby; images of...

The impressively muscular Otto Olympier, his picture taken by an uncredited photographer and published as a postcard. Not intended to be sent home from a holiday as we mostly use them today, but for those who collected the cards as a hobby; images of strongmen and bodybuilders seem to have been a popular subject, judging by the amount which have survived to this day.

This reclining strongman’s sturdy masculinity is a little at odds with the dainty little filigree fig-leaf!
As always, I appealed to those of you who could read the title on this photograph, and was astonished to receive such quick reply; my thanks...

This reclining strongman’s sturdy masculinity is a little at odds with the dainty little filigree fig-leaf!
As always, I appealed to those of you who could read the title on this photograph, and was astonished to receive such quick reply; my thanks to the kind readers who told me K. Pospishil (Bohemia)

A different sort of solo portrait than featured before, this cabinet card from the 1890s shows an impressively muscular fellow proudly displaying his Sandow medal, sadly without a caption of his own name.

A different sort of solo portrait than featured before, this cabinet card from the 1890s shows an impressively muscular fellow proudly displaying his Sandow medal, sadly without a caption of his own name.

Georg Lurich, unusual among early strongmen in having his photograph published fully nude on occasion, rather than always discretely covered up (either in the studio, or with a little later editing before printing), as was the norm.

Georg Lurich, unusual among early strongmen in having his photograph published fully nude on occasion, rather than always discretely covered up (either in the studio, or with a little later editing before printing), as was the norm. 

vintagehandsomemen:
“ Eugene Sandow, 1890s.
”
Having last seen the mighty Sandow in motion, I thought you may like a still image to enjoy - here he is being carefully posed by the studio team (and given a jolly odd look by the chap on the right!)

vintagehandsomemen:

Eugene Sandow, 1890s.

Having last seen the mighty Sandow in motion, I thought you may like a still image to enjoy - here he is being carefully posed by the studio team (and given a jolly odd look by the chap on the right!)

vintagehandsomemen:
“  Eugene Sandow, 1894 - Souvenir Strip of the Edison Kinetoscope (VIDEO)
”
It has been a while since I last showed a moving image on these pages (those seen thus far may all be seen together here), this makes a great addition to...

vintagehandsomemen:

Eugene Sandow, 1894 - Souvenir Strip of the Edison Kinetoscope (VIDEO)

It has been a while since I last showed a moving image on these pages (those seen thus far may all be seen together here), this makes a great addition to my collected still photographs of Sandow.

One for the admirers of the more muscular of male forms, a photograph of one Ed Gloeggler, circa 1900 - doesn’t he have impressively strong shoulders, and I’m rather taken with the ruffled blond curls!

One for the admirers of the more muscular of male forms, a photograph of one Ed Gloeggler, circa 1900 - doesn’t he have impressively strong shoulders, and I’m rather taken with the ruffled blond curls!

Adrien Deriaz, Swiss strongman, photographed at the turn of the last century at the height of his fame. Unusually, for physique photographs in this era, he does not wear the customary leaf to protect his modesty. One of his brothers, Maurice, has...

Adrien Deriaz, Swiss strongman, photographed at the turn of the last century at the height of his fame. Unusually, for physique photographs in this era, he does not wear the customary leaf to protect his modesty. One of his brothers, Maurice, has featured here before, I shall see if I can find any more of them for you!

vintagehandsomemen:
“ One of Georg Lurich I’ve not remembered seeing before.
”
This photograph is new to me, too, one of the less widely used portraits of this remarkable man.

vintagehandsomemen:

One of Georg Lurich I’ve not remembered seeing before.

This photograph is new to me, too, one of the less widely used portraits of this remarkable man.

My perpetual gratitude to Alan, who has sent in many fine photographs for me to choose from - this particular piqued my curiosity as the fellow’s name is included, a tantalising snippet of information on which I hoped I could expand; but my...

My perpetual gratitude to Alan, who has sent in many fine photographs for me to choose from - this particular piqued my curiosity as the fellow’s name is included, a tantalising snippet of information on which I hoped I could expand; but my investigations have sadly drawn a blank, I cannot find out anything about his life or career. 

A young Eugen Sandow, photographed here in the late 1880s, after leaving Prussia to embark on his early career as a circus strongman. As befitting someone whose body would become his business, he reveals almost all to show those superbly defined...

A young Eugen Sandow, photographed here in the late 1880s, after leaving Prussia to embark on his early career as a circus strongman. As befitting someone whose body would become his business, he reveals almost all to show those superbly defined flexed muscles for the admiration of his audience.

A final image in my unintended theme of vintage strongmen tonight, photographed by Emile Bayard in 1902. This picture is especially noteworthy not just for the outlandish shape in which it has been mounted, but also the strange arrangement to...

A final image in my unintended theme of vintage strongmen tonight, photographed by Emile Bayard in 1902. This picture is especially noteworthy not just for the outlandish shape in which it has been mounted, but also the strange arrangement to preserve his modesty - a stylised fig leaf, perhaps, but the attachment leaves room for the mind to ponder : how is he holding it there? Somehow the possibility of clenched buttocks gripping the wire support brings an unintentional amusement to the scene!