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This didn t sit well with the Williamses. John, who works for the Montana Department of Corrections, often interacts with people facing the reality of our finite time on Earth. If you re spending the rest of your life in prison, you know, it makes you think about the mortality of life, he says. What s important is not how long you live, but rather what you do with the life you re given. MaryMargret feels the same way. For years she has worked in a local dermatology office. She knows all too well the cultural pressures to stay young, and wishes more people would embrace the inevitability of getting older. You get wrinkles, you get old, that s part of the process, she says. sexy girls

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We elected to go for sunset because we are staying in Kapalua and did not want to get up at 2am for sunrise. We spent the day visiting other local attractions and headed up about 3pm. It was very cloudy and rainy going up and we had our doubts about if it was worth the trip. We had downloaded the Gypsy App for Haleakala which is a guided audio tour and it reassured us that the weather would be different at the top and it was! Sunny and clear, although the temp went from 80 down to 63 degrees at the top. The Visitors Center at the base is under construction and the one at the top is open from 10-3:30. There are restrooms at the summit. There are many switch backs and driving can be nerve racking but definitely worth the views.

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Ageing, he thought, comes about because this developmental programme, this constant change, never turns off. From birth until puberty, change is crucial: we need it to grow and mature. After we ve matured, however, our adult bodies don t need change, but rather maintenance. If you ve built the perfect house, you would want to stop adding bricks at a certain point, Walker says. When you ve built a perfect body, you d want to stop screwing around with it. But that s not how evolution works. Because natural selection cannot influence traits that show up after we have passed on our genes, we never evolved a stop switch for development, Walker says. So we keep adding bricks to the house. At first this doesn t cause much damage a sagging roof here, a broken window there. But eventually the foundation can t sustain the additions, and the house topples. This, Walker says, is ageing. nude girls

Im going to have to say this entire site is hilarious. ALL of you rednecks writing in with your shitty grammar also happens to be HILARIOUS. It adds character to this site. It also proves in fact that white people, white trash for the most part, are self righteous ignorant dip shits. Its funny because you see black people magazines. I always say, what if there was White People Magazine . I think black people (along with other races) would be pissed. BUT i am now reassured they would be pissed because all of the white trash would go running around with copies saying lookit what we made lookit here , we are the best USA wooo freedom acting like they never shit and piss excellence. i hate ignorant WHITE TRASH. get off your ass and join the military or get a job. get off your weak ass junkie ways. if youre not part of the solution you certainly are the problem. Thanks.

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Fumiko MacPherson. left, checks out the items brought in by a patron who did not want to be identified. MacPherson owns and operates Kid To Kid, 9326 W. Sahara Ave., Suite 2, one of the newest stores to join Village Square. The store has a regular entry for adults and, right beside it, a child-sized pink door for those who want to be princesses. (Jan Hogan/View) nude girls

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A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a...

A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a distinct leaning toward celebrating the sensuality and eroticism of both his character, and his proudly displayed body, bare under hot bright sun.

If other photographers wished to give their work an air of respectability with classical allusions and reference to an Arcadian idyl, Vincenzo Galdi was publishing photographs with no such delicate gloss of innocence. Often explicit, always...

If other photographers wished to give their work an air of respectability with classical allusions and reference to an Arcadian idyl, Vincenzo Galdi was publishing photographs with no such delicate gloss of innocence. Often explicit, always emphasising the sensual, the erotic, the full-frontal nude presented without discretion or modesty. We see variations on this pose - seated, knees parted - over and over and over again.

A young man from Rome, captured in all his sensual glory by Vincenzo Galdi, in the early years of the 20th century. A beautiful portrait of a beautiful man!

A young man from Rome, captured in all his sensual glory by Vincenzo Galdi, in the early years of the 20th century. A beautiful portrait of a beautiful man!

A quite remarkably handsome man, his stern and beautiful face matched by a lithe, toned body, a deeply masculine grace and presence; photographed in the early 1900s by Guglielmo Plüschow.

A quite remarkably handsome man, his stern and beautiful face matched by a lithe, toned body, a deeply masculine grace and presence; photographed in the early 1900s by Guglielmo Plüschow.

When last month I posted a portrait of Pietro, I realised I’d never yet shared this far more famous photograph of the very same model. Taken in the garden of von Gloeden’s villa at Posillipo, circa 1890, we see here the very same smouldering smile,...

When last month I posted a portrait of Pietro, I realised I’d never yet shared this far more famous photograph of the very same model. Taken in the garden of von Gloeden’s villa at Posillipo, circa 1890, we see here the very same smouldering smile, the confident sensuality in baring his beautiful body, the drape of pale fabric let hang tantalisingly low - a fantastically erotic image without being at all explicit.

Photographed by Plüschow toward the end of the 19th century, both these models look familiar from other pictures; when I have a little more time I shall try to find their other poses!

Photographed by Plüschow toward the end of the 19th century, both these models look familiar from other pictures; when I have a little more time I shall try to find their other poses!

A true and deserved star of early erotic photography, this beautiful model is one of my favourites (indeed, I chose him as the avatar to represent this whole collection). We have seen this sensual photograph by Vincenzo Galdi before, but not so large...

A true and deserved star of early erotic photography, this beautiful model is one of my favourites (indeed, I chose him as the avatar to represent this whole collection). We have seen this sensual photograph by Vincenzo Galdi before, but not so large nor so detailed; do take a closer look at the full size image to fully appreciate such an exquisite man!

This stern-faced Italian model makes a strikingly beautiful and seductive subject for Vincenzo Galdi’s erotic male photography, in the early years of the 20th century. We have seen him pose before, for his sultry and somewhat sullen good looks I have...

This stern-faced Italian model makes a strikingly beautiful and seductive subject for Vincenzo Galdi’s erotic male photography, in the early years of the 20th century. We have seen him pose before, for his sultry and somewhat sullen good looks I have dubbed him the brooding beauty.

A genuine delight, here, another photograph of the charming Carlo, lover of the painter Robert Hawthorn Kitson, and captured on camera by Vincenzo Galdi in the early years of the 20th century. I had gathered all his portraits so far into a set, now I...

A genuine delight, here, another photograph of the charming Carlo, lover of the painter Robert Hawthorn Kitson, and captured on camera by Vincenzo Galdi in the early years of the 20th century. I had gathered all his portraits so far into a set, now I shall have to make room for one more!

A fine trio of male models, photographed in 1910s Rome by Vincenzo Galdi. Tantalisingly trimmed just below their waists - oh how I wish for an uncropped copy of this photograph!

A fine trio of male models, photographed in 1910s Rome by Vincenzo Galdi. Tantalisingly trimmed just below their waists - oh how I wish for an uncropped copy of this photograph!

A fine young man displays his body for the camera with pride in this early 20th century nude. Though I don’t recognise the model from other images, the fabrics here indicate this to be by Vincenzo Galdi, the same pieces can be seen in many of his...

A fine young man displays his body for the camera with pride in this early 20th century nude. Though I don’t recognise the model from other images, the fabrics here indicate this to be by Vincenzo Galdi, the same pieces can be seen in many of his photographs (such as that dear favourite, the full-length portrait of Carlo)

His shoulders enfolded in a thick cloak, this Galdi model shows not the slightest bit of shyness in flaunting his lower half, legs parted to expose all to the sun, and the viewer’s admiring eye. Vincenzo Galdi has seated his anonymous models on these...

His shoulders enfolded in a thick cloak, this Galdi model shows not the slightest bit of shyness in flaunting his lower half, legs parted to expose all to the sun, and the viewer’s admiring eye. Vincenzo Galdi has seated his anonymous models on these dark volcanic rocks before, here and here.

A typically raunchy and quite deliciously lascivious photograph from Vincenzo Galdi in turn-of-the-century Rome, his model blessed with both exceedingly admirable endowment, and a sultry face to match; all deep dark come-to-bed eyes and pouting...

A typically raunchy and quite deliciously lascivious photograph from Vincenzo Galdi in turn-of-the-century Rome, his model blessed with both exceedingly admirable endowment, and a sultry face to match; all deep dark come-to-bed eyes and pouting parted lips. He has appeared before, on the right in this equally erotic photograph

A stunning find, here, a gloriously sensual nude by Wilhelm von Gloeden - the unseen side of the model in this far better-known photograph. How wonderful it is to see more of him; his face as he gazes coolly down the camera lens, his confidently...

A stunning find, here, a gloriously sensual nude by Wilhelm von Gloeden - the unseen side of the model in this far better-known photograph. How wonderful it is to see more of him; his face as he gazes coolly down the camera lens, his confidently bared body, even how the narrow necklace seen in the first picture carries a collection of pendants. Though his hair seems very different, several models from 1890s Taormina appear to favour a fashion for hair close-cropped at the back and in luxuriant curls at the front.

Vincenzo Galdi once again presents the erotic male nude in all its sensuous, earthy glory, choosing expressive, attractive, and invariably well-endowed models, who revel in assuming the provocative poses - confident seductive men fully aware of their...

Vincenzo Galdi once again presents the erotic male nude in all its sensuous, earthy glory, choosing expressive, attractive, and invariably well-endowed models, who revel in assuming the provocative poses - confident seductive men fully aware of their power to entice and arouse those who look upon them. How proud would they be to know we still pass their pictures around for admiration over a century later! We have seen this particular model pose before, here, and also here.